Lady Huang’s Album

Project Title: Lady Huang’s Album (Wirr 087)

Project date: June 2017

Image credits: Wirripang

Client: Diana Weston/Australian Composers/Wirripang

Media: CD

Contribution: recording, edit, mix, CD master

More info: http://www.thoroughbass.com.au/notes/recording-lady-huangs-album#.W4OckGZ7HGI,
https://www.australiancomposers.com.au/products/lady-huangs-album

Music for one or two harpsichords.
New music from Australia and the Americas for one and two harpsichords. For those who love harpsichords and think they should have a life in the present, here is the CD for you. Harpsichordist Michael Tsalka has a world-wide reputation and well-known Australian harpsichordist Diana Weston both had many of the works dedicated to them.

The Li Po Experiment

Project Title: Joseph Tabua & Ian Stevenson ‘The Li Po Experiment’

Project date: October 2016

Image credits: 

Client: Ian Stevenson & Joseph Tabua

Media: Live performance, video documentation

Contribution: composition, programming

More info:

‘The Li Po Experiment’ is a collaboration between Joseph Tabua on voice and guzheng and Ian Stevenson on live electronics.

Gentleness-Suddenness

Project Title: Bruce Crossman’s “Gentleness-Suddenness”

Project date: 29 June 2013, Campbeltown Arts Centre

Image credits: Filigree Films

Client: Bruce Crossman

Media: live performance, video

Contribution: live mix/sound diffusion, recording

More info: https://vimeo.com/82055950

Bruce Crossman’s Gentleness-Suddenness project consists of three works: the one which appears here, is Gentleness-Suddenness. Gentleness-Suddenness was premiered at the New Music Series, Campbeltown Arts Centre on Saturday 29 June 2013. Performed by Claire Edwardes (percussion), Michael Kieran Harvey (piano), James Cuddeford (violin) and Lotte Latukefu (mezzo-soprano). Sounds like the mix didn’t make it on to this video.

Water Vessel

Project Title: Water Vessel

Project date: July 2012

Image credits: Filigree Films

Client: Filigree Films, Dir: Iqbal Barkat, Composer: Petar Jovanov

Media: video

Contribution: music recording, music edit, music mix

More info: http://www.filigreefilms.com/films/water-vessel/, http://www.imdb.com/title/tt2735302/

Short film written and directed by Iqbal Barkat, composed by Petar Jovanov, performed by Claire Edwardes (perc), Jason Noble (clar). Winner: The Indie Fest 2013 – Award of Merit (Asian American), Nominee: Campfire Film Festival 2014 – Best Art, Literacy and Media Film; Official Selection – LA Asian Pacific FIlm Festival 2014.

The Opium Confessions: Visionarium

Project Title: The Opium Confessions: Visionarium

Project date: 5 March – 20 April 2012, Research Gallery SCA, Sydney

Image credits: Emmanuela Prigioni Alebardi

Client: De Quincey Co

Media: Installation

Contribution: sound design, editing, system design, multi-speaker diffusion

More info: http://dequinceyco.net/visionarium-2012/

This hybrid installation for gallery spaces forms part of The Opium Confessions, an overarching enquiry across different media platforms into the writings of Thomas De Quincey (1785-1859): poet, opium addict, wandering adventurer, genius of the imagination.

Sharawadji

Project Title: Sharawadji, First Draft Gallery, Sydney

Project date: 27 July – 7 August 2011

Image credits: Ian Stevenson

Client: Ian Stevenson

Media: multi-speaker installation

Contribution: design, composition, programming, loudspeaker design

Sharawadji was installed at First Draft Gallery in Sydney. It was the result of a research project that considered how conceptualising the ontology of sound might influence sound design.

Sheet Music

Project Title: Sheet Music, exhibited in Graphic Material at the UTS Gallery, Sydney

Project date: Aug 3–Sep 3, 2010

Image credits: Aaron Seymour

Client: Aaron Seymour and Ian Stevenson collaboration

Media: installation

Contribution: electronic instrument design, composition

More info: https://cargocollective.com/aaronseymour/Sheet-Music

Sheet Music explores the potential of electrically conductive inks to transform a piece of graphic design into an electronic component. Printed with silver ink these two posters work as aerials picking up variations in the room’s electromagnetic field caused by gallery visitors. Electronics enclosed in the wall convert these variations to sound, allowing participants to ‘play’ the posters by moving their hands in front of them.